Yesterday I stumbled onto a fascinating PBS Newshour interview with book designer Peter Mendelsund, well-regarded for his cover treatments of titles ranging from George Dyson’s Turing’s Cathedral to The Girl With The Dragon Tattoo.
Mendelsen argued that when we read, we visualize the text, each of us creating a different reality in our minds. Those co-created images – created by both the author and the reader – are unique and vital to the process of reading – and by extension, to our ability to imagine and to create.
In the the interview, Mendelsund is asked about our image-driven culture – there were more than a trillion photos shared last year, according to Chute, a “visual revolution” company I’ve recently joined as a Director. We’ve become a society of image sharers – the very act of sharing is celebrated – and image creators – to the point where “selfie” has made the dictionary and “food porn” is a thing.
But as we snap and share, share and snap, we must remember the value of the mind’s innate ability to create images from code* – the code of writing. Words are pure symbols capable of painting entire worlds across our mind’s eye. And the extraordinary thing is each of sees something unique when we encounter the written word, yet we all understand the same code. “The idea of imagining things ourselves…this world we occupy when we’re reading… is more valuable than ever,” Mendelsund said, referring to our image-addicted culture. “There are few other places – maybe other than when we are dreaming – where we get this feeling of occupying a metaphysical realm.”
I plan on reading Mendelsund’s What We See When We Read this weekend, I’ll post a review here if this short burst proves insufficient….
*Of course, musicians and coders also “see” and dream in code, and famously, the cast of “The Matrix” “saw” through dripping lines of code into the visual reality painted by the film’s antagonist AIs.